过错-激情假期
丁度·巴拉斯的《假期》是由6个没头没脑的小故事组成，丁度·巴拉斯在自己的每部影片都着重强调了女人的性感魅力，并且在片中经常运用多边的摄影技术，将片中美女和美景拍得浑然天成、美轮美奂。而且他在影片中最惯长表现了女性对的渴望，以及对女性身体的赞美。 丁度·巴拉斯的《过错》（又名：《假期》）是由6个小故事组成。 《礼物》：酒店度假的情侣，男友给女友的礼物是酒店的服务生。 《阴谋》：丈夫有着性奴般的情人，妻子勾搭上了网球教练，其实背后隐藏着一个阴谋。 《2个变态和1个女佣》：小女佣一边迎合着男女主人的性虐游戏，一边和厨师男友编织着纯真的梦想。 《性爱海滩》：性爱让海滩上吵架的情侣重归于好。 《摄影师的苦恼》：摄影师和其模特女友性不和谐，却在一个派对中找到了各自需要的。 《偷窥狂》：服装店店员的女友为了钱和一个男人在一起，而此时出现了一个偷窥狂。
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剧情简介
丁度·巴拉斯的《假期》是由6个没头没脑的小故事组成，丁度·巴拉斯在自己的每部影片都着重强调了女人的性感魅力，并且在片中经常运用多边的摄影技术，将片中美女和美景拍得浑然天成、美轮美奂。而且他在影片中最惯长表现了女性对的渴望，以及对女性身体的赞美。 丁度·巴拉斯的《过错》（又名：《假期》）是由6个小故事组成。 《礼物》：酒店度假的情侣，男友给女友的礼物是酒店的服务生。 《阴谋》：丈夫有着性奴般的情人，妻子勾搭上了网球教练，其实背后隐藏着一个阴谋。 《2个变态和1个女佣》：小女佣一边迎合着男女主人的性虐游戏，一边和厨师男友编织着纯真的梦想。 《性爱海滩》：性爱让海滩上吵架的情侣重归于好。 《摄影师的苦恼》：摄影师和其模特女友性不和谐，却在一个派对中找到了各自需要的。 《偷窥狂》：服装店店员的女友为了钱和一个男人在一起，而此时出现了一个偷窥狂。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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