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苏菲·王尔德,阿里·麦卡锡,哈米什·菲利普斯,基特·埃尔哈特·布鲁斯,萨拉·布罗肯莎,杰登·戴维森,桑尼·约翰逊,马库斯·约翰逊,基达安·泽勒克,詹姆斯·奥利弗,乔·伯德,杰特·加兹利,亚历珊德拉·詹森,Dog,Helene Philippou,米兰达·奥图,佐伊·特雷克斯,克里斯·阿洛西奥,奥蒂斯·丹吉,利安娜·瓦尔斯曼,亚历珊卓娅·斯蒂芬森,亚采克·科曼诅咒项链
维奥莱特·麦格劳,玛德琳·麦格劳,亨利·托马斯,莎拉·林德,罗马·玛菲娅,菲利斯·索利斯,雅各布·莫兰,克里斯蒂娜·摩尔,Archer Anderson,Amato D'Apolito,Connor Hammond,马特·福勒,丹妮拉·麦斯米兰,阿里·阿夫沙尔,Brynne Kurland,罗琳·约克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine Curry万世英雄
查尔顿·赫斯顿,索菲娅·罗兰,雷夫·瓦朗,吉内瓦维·佩吉,约翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲尔德,马西姆·塞拉托,弗兰克·思林,迈克尔·霍尔德恩,安德鲁·克鲁克香克,道格拉斯·威尔默,托里奥·卡米纳提,拉尔夫·杜鲁门,Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齐,芭芭拉·埃弗里斯特,尼里奥·贝尔纳迪,赫伯特·罗姆,欧米洛·康帕纳,Antonio Mayans,保罗·穆勒,保罗·纳什,欧露莎尔芭·奈丽,维尔吉里奥·特谢拉一个星期三的下午
Anupam Kher,Naseeruddin Shah空中轮胎
长濑智也,藤冈靛,高桥一生,深田恭子,岸部一德,笹野高史,寺胁康文,小池荣子,阿部显岚,中村苍,室毅,柄本明,佐佐木藏之介,升毅,谷村美月音乐之声
朱莉·安德鲁斯,克里斯托弗·普卢默,埃琳诺·帕克,理查德·海顿,佩吉·伍德,查尔敏·卡尔,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特怀特,黛比·特纳,基姆·卡拉思,安娜·李,波希娅·纳尔逊,本·怀特,丹尼尔·特鲁希特,诺玛·威登,吉尔克里斯特·斯图尔特,马妮·尼克松,埃瓦德妮·贝克,多丽丝·劳埃德,格特鲁德·阿斯特,弗兰克·贝克,史蒂夫·卡鲁瑟斯,山姆·哈里斯,多罗西·吉金斯,利奥达·理查德斯,杰弗里·塞尔,伯纳德·赛尔,诺尔曼·斯蒂凡斯,伯特史蒂文斯,玛丽亚·冯·特拉普同类推荐
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
挽救计划
瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奥尔蒂斯,莱昂内尔·博伊斯,梁振邦,米拉娜·薇恩翠,普里亚·坎萨,利兹·金斯曼,马拉基·卡比,梅丽尔·斯特里普,尤妮斯·胡特哈特,雷·波特,达米安·德·弗罗贝维尔,安妮勒·奥拉莱,米娅·索特里乌,巴斯蒂安·安东尼奥·富恩特斯,爱丽丝·布里塔因,玛雅·伊娃·侯赛因,迈克尔·阿金绥尔,特拉维斯·杰,杰弗里·兰布,保罗·兰伯特,奥赖恩·李,亚伦·尼尔,米歇尔·格里尼奇,伯恩哈德·舒茨太阳正在被“吃”掉,绝望吞噬地球。⼀名“平凡”的中学教师格雷斯(瑞恩·⾼斯林 饰)背负全人类的希望,踏上“太空不归路”。末路孤旅中,他意外遇到一位外星萌友,一个同样身陷绝境的外星工程师,这对“宇宙搭子”成了两个文明最后的救命稻草。他们能否在资源紧缺的情况下攻克重重科学谜题,寻回唯一的希望火种?影片改编自安迪·威尔的同名畅销科幻小说。
东京出租车2025
倍赏千惠子,木村拓哉,苍井优,迫田孝也,优香,中岛瑠菜,神野三铃,李濬荣,笹野高史,大竹忍,槙田雄司,北山雅康,木村优来,小林稔侍,明石家秋刀鱼故事围绕的士司机宇佐美浩二(木村拓哉 饰)展开,他每日奔波于都市间工作养家,却因女儿的学费、的士验车费、房屋租金等接踵而至的现实压力而身心俱疲。某日,浩二接到一项特别的委托——接载年迈的高野堇女士(倍赏千惠子 饰)从东京柴又前往神奈川叶山的养老院。“在离开东京之前,想先到几个想去的地方看看”,堇女士淡然请求。随着的士驶过日本的大街小巷,陌生的两人逐渐打开心扉,堇女士也徐徐道出自己跌宕的人生过往。这趟偶然的旅程,不仅触动了他们的心灵,也让二人在平凡的日子中,为彼此的人生留下难忘的美好印记。
恶魔的艺术
阿丽莎·维尔斯,苏帕克森·柴蒙蔻,特林·赛塔欧克,克朗通·拉查塔万,颂猜·沙图吞,埃萨拉·奥查库,尼鲁·素查,克里塔尤德·蒂姆纳特,鲍勃·布克霍尔兹,雪莉·嘉森,桑迪·福克斯,艾尔维亚·盖坦,格兰特·乔治,尤里·洛文塔尔,戴夫·麦罗,苏珊·马奎,布莱斯·峇本布鲁克,塔拉·普拉特,萨姆·里格尔,克莉丝汀·卢瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃伦影片围绕着一个家庭遭到情妇利用"黑色巫术"复仇的故事展开.讲述了一个百万富翁全家人被神秘而诡异的地杀害。没有丝毫线索; 无法找到可以指证的凶手。神秘而恐怖的死亡令所有人为之困惑。一位罪案报道记者参与进此案的调查, 发现一个美貌的女人有可疑。他该如何向所有人证明她就是那个一直隐藏着的、并且擅长"魔鬼的艺术"的情妇? ...
铁甲无敌玛利亚
梁朝伟,叶倩文,徐克,林正英,岑建勋,陈国新,林国斌,秦沛太阳党是一个恐怖组织,其首领救世主(林国斌 饰)善于开发战争机器人,他和女友玛利亚(叶倩文 饰)经常利用自己开发的机器人“先锋一号”大肆破坏。由于“先锋一号”威力强大,警方也常常束手无策。小徐原是英雄党的一分子,后来对自己团伙的所作所为深感不满而在师傅的担保下脱离了该组织。一次小徐在酒吧偶遇了专为警方开发战争机器人的专家阿毛(岑建勋 饰),两人一见如故,成为了好朋友。岂料太阳党因此怀疑小徐出卖了自己,因此派出新研制的机器人——外形和玛利亚一模一样的“先锋二号”追杀小徐;更糟糕的是,警方亦因此怀疑阿毛出卖了政府,因而同时派人前来捉捕他们。一对好兄弟,能否逃出生天?