即刻观影
剧情赏析
编辑推荐
Kill Tony：笑闹德州
托尼·欣奇克利夫一分钟、一支麦克风、毫不留情。在奥斯汀举行的残酷演出中，托尼·欣奇克利夫及一众著名嘉宾对立志成为喜剧演员的参赛者进行考验。
猪猪侠大电影之竞速小英雄
在这场前所未有的时空竞速里，猪猪侠和星航这对“最佳损友”驾驶着星际列车穿越时空回到过去、他们能否可以扭转命运，在最终的赛场上改写结局，守护赛车梦想？
惊声尖笑6
马龙·韦恩斯,肖恩·韦恩斯,安娜·法瑞丝,雷吉娜·赫尔,小达蒙·韦恩斯,格雷格·韦恩斯,金·韦恩斯,本尼·齐尔克,卡梅伦·斯科特·罗伯茨,切里·奥特莱,克里斯·艾略特,戴夫·谢里登,海蒂·加德纳,洛奇林·莫罗,奥利维亚·罗斯·基根,鲁比·斯诺伯,哈萨尼·维贝兹·科默,西德尼·帕克,乔恩·亚伯拉罕斯,费莉莎·罗斯,萨凡纳·李·梅,迈克尔·利维,比利·斯洛特,Kai Cenat两位好友再度卷入一场涉及杀手、怪物和超自然生物的混乱事件。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
无论如何我爱你
这部精美的动画短片由编剧/导演威尔·麦柯马克和迈克尔·戈维尔联手打造。在悲剧发生后，一对父母失去了孩子，伤心欲绝的他们要面对随之而来的失落感。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster