影片推荐
同类精选
铁拳硬汉
徐少强,郜乔,邱彬残忍的心
梅罗拉·哈丁,埃迪·杰米森,邦尼·鲁特,Alev Aydin,Sean Russel Herman,Dawn Brodey,Marion Kerr,Melanie Starks,Jack Gogreve,Lucie Beeby丹下左膳：大冈越前外传
森山未来,黑木华,每熊克哉,福士诚治,加藤谅,平祐奈,宇梶刚士,相岛一之,榎木孝明,横内正,田边诚一,田村亮,高桥克典星河入梦
王鹤棣,宋茜,祖峰,罗海琼,汪铎,谢楠,庞博怪猴
西奥·詹姆斯,塔提阿娜·玛斯拉尼,伊利亚·伍德,劳拉·门内尔,克里斯蒂安·康佛瑞,萨拉·莱维,罗汉·坎贝尔,科林·奥布莱恩,Corin Clark,奥斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齐亚·牛顿匿杀
彭昱畅,张钧甯,黄晓明,王迅,徐娇,邢佳栋,阿如那,王成思,海一天,沈浩,侯咏薰,王圣迪,黄奕,姜皓文,郝平,蔡亘晏,高长远,张磊,衣云鹤影视排行
谍杀风暴
马里奥·卡萨斯,玛蕾拉·嘉里加,路易斯·扎赫拉,诺拉·纳瓦斯,丹尼·德拉托雷,克里斯蒂安·塔潘,尼薇·德·曼迪娜,克丽丝蒂娜·乌玛尼亚,里卡多·德巴雷罗,Luisa Vides,Fabián Aguilar,Sarah Cafaro,Miguel Brocca,Luis Carlos Babestas,Noa Badía,Jhonathan Saenz,皮拉尔·戈麦斯,Roberto Mateos,Alejandro Vergara,巴勃罗·阿尔瓦雷斯四名前西班牙特工在全球不同地点同时遇刺。西班牙国家情报中心发现，数十年前他们都在哥伦比亚参与了秘密的谢纳加行动。西班牙国家情报中心最出色的特工泽塔必须追查并保护唯一的幸存者，这将是他迄今为止最危险的全球任务。哥伦比亚顶级特工阿尔法将与泽塔并肩行动，而她似乎比他更了解谢纳加行动背后的秘密。
人肉农场
诺拉·叶莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan GrindstaffA young couple gets kidnapped and treated like farm animals after stopping at a roadside diner to eat meat.
禁果2026
莉莉·莱因哈特,罗拉·董,加布里埃尔·尤尼恩,维多利亚·佩德雷蒂,亚历山德拉·希普,大卫·皮纳德,奥斯汀·鲍尔,艾玛·张伯伦,查理·亨利·拉尔森,西德哈特·沙玛,海莉·莎莫,Caroline Vartanian,乔丹·杜阿尔特,Jeff Sinasac,Katherine Cruz在达拉斯的轻奢商场，自由伊甸门店的销售顾问苹果、樱桃与无花果，表面是光鲜亮丽的时尚女性，私下却在商场地下室运营着秘密邪教，以诡异仪式维系着扭曲的“姐妹情谊”。新员工南瓜的到来打破了三人的平衡，她的质疑与审视，迫使成员们直面内心的阴暗面，邪教仪式逐渐失控，血腥与暴力开始蔓延，每个人都必须在自我毁灭与残酷结局之间做出选择。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.