让人瞬间硬起来的阿姨

食梦者

　　擅长画画的高中生真城最高（佐藤健 饰）有一天被头脑灵光的同学高木秋人（神木隆之介 饰）缠上。对方自称超级喜欢漫画，可却没有绘画才能，秋人希望和最高搭档进军漫画界。最高的叔叔川口太郎（宫藤官九郎 饰）曾是小有名气的漫画家，但因过劳和连载被砍最终英年早逝，这让青年深知这一行的残酷性。经不住秋人的怂恿，最高终于就范。两人选择自荐的方式将目标锁定在集英社旗下的殿堂级周刊《JUMP》上，并初步得到了编辑服部哲（山田孝之 饰）的认可。与此同时，天才高中生新妻英二（染谷将太 饰）横空出世，促使两个人不顾一切地要与之一较高低。不知不觉中，他们已经踏入了这个瑰丽精彩却又残酷万分的漫画世界……　　本片根据创作了超人气漫画《死亡笔记》的大场鸫（原作）、小畑健（作画）的同名漫画改编。

与世隔绝

Four friends wanted to get away from it all for a birthday celebration in a remote country house, but when a mysterious injured man turns up on their doorstep telling tales of a city ravaged by a mysterious epidemic and the looters who have pursued him, the friends rally to help. As the night progresses, it becomes clear that all is not as it seems, plunging the friends into a battle for survival that challenges their deepest fears.

继女2024

洛杉矶劫案

 从未失手的珠宝大盗，本想干完最后一票便金盆洗手，却与中年失意的精英高管意外结盟，联手布下棋局。另一边，深陷职场困局的王牌警探，正凭借蛛丝马迹一步步将矛头对准他们，更有黑帮劫匪暗中蛰伏，伺机搅局。螳螂捕蝉、黄雀在后，当规则与道德的边界被打破，这场颠覆命运的惊天罪案，究竟谁能安全脱身？

纳粹僵尸

A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.