播放通道
详细简介
热门影视 大家都在看
观光路线
乔什·杜哈明,丹·福勒,米勒克尔·劳丽,Christie Burson,彼得·迈克尔·戈茨悄然之星
神乐坂惠,远藤贤司,池田优斗,森康子特雷弗·诺亚：苦中作乐
特雷弗·诺亚疯狂舞蹈办公室
廉惠兰,崔成恩,崔乂园,朴浩山,白贤镇,安桐丘,尹善贤,申艺灿蛇
尤·伯连纳,亨利·方达,德克·博加德,菲利普·努瓦雷,米歇尔·布凯,维尔娜·丽丝,盖·崔扬,埃尔加·安德森,玛丽·杜布瓦,娜塔丽·内瓦尔,安德烈·福尔肯,罗伯特·帕蒂,威廉·萨巴达,罗伯特·阿尔达,宝拉·皮塔格拉,路易吉·迪贝尔蒂,弗朗索瓦·麦斯特,赫伯特·福克斯,伊娃·玛丽亚·梅内克,法利·格兰杰暗杀国度
奥黛莎·杨,阿布拉,苏琪·沃特豪斯,哈莉·尼夫,科尔曼·多明戈,丹尼·拉米雷斯,乔尔·麦克哈尔,茉德·阿帕图,科迪·克里斯蒂安,比尔·斯卡斯加德,库伦·莫斯,贝拉·索恩,小凯文·哈里森,阿尼卡·诺尼·罗斯,杰夫·波普,诺亚·盖尔文同类推荐
变异双头蛇
陈堃,莫佳荻,韩阳,武雨晴,王黎林宇与三名女孩遭遇空难，不幸流落至一座荒无人烟的孤岛，刚上岸便遭遇一头凶猛的变异双头蛇袭击。危急时刻，容貌靓丽、身手矫健的当地女土著颂雅及时出现，凭借对岛屿环境的熟悉，成功引开双头蛇，将四人救至一处隐蔽山洞。在艰难的孤岛求生中，林宇作为唯一的男性主动守护众人，朝夕相处间，他与四名女孩渐生情愫，陷入了两难的感情纠葛。好景不长，思瑶惨遭双头蛇伏击吞噬，若琳也不幸遇害。悲痛之下，林宇、婉晴与颂雅联手，借助颂雅祖辈流传的经验，摸清毒蛇怕强光和特定植物汁液的弱点，巧用简易工具设下陷阱，最终成功消灭双头蛇，林宇也找到情感的归宿。
礼拜天2025
布兰卡·索罗亚,帕特里夏·洛佩斯·阿奈斯,米格尔·加尔塞斯,胡安·米努欣,玛贝尔·里维拉,Nagore Aranburu,Irina Robledo Espinosa,Nora Careaga Iglesias,Neizan Alonso Hernández,Leire Zuazua,María Rodríguez Maribona Delgado,Guille Zani,Itziar Aizpuru,Bego Arístegui,Florinda Okomo,Noe Chiroque,Ainhoa Já这部电影向我们介绍了Ainara（由Blanca Soroa饰演），一个年轻、有天赋和理想主义的17岁女孩，他必须决定在大学学习哪门学科。或者至少这是她的家人希望她做的。然而，这个女孩透露了一个事实，即她觉得自己越来越接近上帝，她准备接受一个隐居修女的生活。这个重磅炸弹让整个家庭都大吃一惊，造成了裂痕，对他们所有人来说都是一个试金石。
黑煞女2
丘普朗·阿瑞昆,杰克林·坤万齐提柴★ 強勢登頂泰國首周票房冠軍，終結【阿凡達：火與燼】四連霸紀錄！ ★ 挑戰感官極限的超尺度降頭獵殺，刷新「虐胃觀影」恐怖天花板！ ★ 徒手撕下顎、精蟲灌腦髓、滾鉛水灌喉，直擊咒術酷刑血腥實錄！ ★ 最生猛的南洋降頭禁術，殘虐指數破表，恐懼無處可逃！ 劇情簡介 血腥降頭獵殺，一個都別想跑… 出生自帶詛咒的潘娜（丘普朗阿瑞昆 飾）順利考取大學，原以為能埋葬過去、重啟新生。怎知她和好友小敏（萍瑪達柴莎索恩 飾）竟在新生活動後，慘遭六名學長姐殘酷霸凌。在導師制止後，對方反而變本加厲，私下求助降頭師施以致命巫術，卻意外喚醒潛藏在潘娜體內的「三眼神」邪力。獵人與獵物身份瞬間反轉。覺醒後的潘娜，信手捻來皆是索命降術，以牙還牙展開血色清算。一場終極獵殺就此引爆，誰也別想活著離開這場血色祭典！
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蛛仙
孙艺宁,李砚,高广泽,潘严,刘锡明修行千年的寒魄彩蛛蛛儿受佛祖点化化为人形，化身猎妖人下凡，与甘露、芝草、长风携手除魔卫道。蛛儿对甘露情深，却因人妖殊途陷入痛苦。无虚掌门被妖力反噬企图夺其修为，蛛儿为救众人牺牲三千年道行灭魔，最终明白真情所在是芝草。