浪蝶狂花

9.8 播放:52万 更新:2026-06-05
主演: 文华/

安娜为了她的男朋友史提芬,不惜牺牲当上舞女,并把赚来的金钱都给予史提芬去做生意,希望有一天能过正常的生活,但原来史提芬是一名爱情骗子,他不单骗去安娜的金钱和爱情,最后更将她卖给娼妓集团当妓艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。 安娜愤怒之余,竟拿刀刺进史提芬的胸膛。

即刻观影

剧情赏析

安娜为了她的男朋友史提芬,不惜牺牲当上舞女,并把赚来的金钱都给予史提芬去做生意,希望有一天能过正常的生活,但原来史提芬是一名爱情骗子,他不单骗去安娜的金钱和爱情,最后更将她卖给娼妓集团当妓艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。 安娜愤怒之余,竟拿刀刺进史提芬的胸膛。

编辑推荐

魔影袭人来

莱斯利·霍华德,劳伦斯·奥利弗,雷蒙德·马西,安东·沃尔布鲁克,埃里克·波特曼

 获奖:1943年奥斯卡最佳剧本奖介绍:二战初期,一艘毁坏的潜水艇搁浅在加拿大海湾。狂热的纳粹船长和他的全体船员必须抵达当时中立的美国,否则他们要被捉拿。一路上他们遇上形形色色的人物,对战争和爱国主义抱着各自的态度。在本片中导演鲍威尔和演员艾默力.皮斯伯格针对美国参加同盟国对抗纳粹的原因而展现出他们独特的观点。

半夜叫你别回头2

梅琼,赵翊骁,姜梦茹,沈璐,李世杰,陆烟,张莹莹,寒丰,严佳茵,武朋

新婚的萧灵儿(陆烟 饰)前往儿时的山间别墅度假。途中,诡异事件接踵而至,双生女童、深夜归来的守门人,让萧灵儿惊恐不已。次日,萧灵儿的闺蜜和前男友不请自来,守门人的儿子带着女友来见家长。更恐怖的是,一个神秘的红衣女孩如鬼魂般在深山老宅中闪现,勾起了当地流传已久的鬼娃玛丽传说。在这深山隔绝之地,鬼娃使众人陷入死亡之境。灵异现象频繁出现,血腥事件不断发生,等待众人的是一个埋藏多年的鬼娃复仇传说。

自杀森林

娜塔莉·多默尔,泰勒·金尼,欧文·马肯,斯蒂芬妮·沃格特,小泽征悦,Rina Takasaki,樱井北子,Yûho Yamashita,藤本政志

  生活在美国的莎拉·普斯(娜塔莉·多默尔 Natalie Dormer 饰)近日来心神不宁,她有一个孪生妹妹杰西(娜塔莉•多默尔 Natalie Dormer 饰)在日本担任外教。然而杰西突然下落不明,莎拉拜托山梨县警方帮助搜查,最终得到的结果是杰西可能进入了拥有“自杀胜地”之称的青木原森林自我了断。莎拉绝不认同警方的推测,她不顾男朋友的阻拦,独自踏上前往日本的旅途。她最先来到了妹妹任教的学校,在调查未果之后乘上了前往青木原森林的列车。他人的劝阻无法拦住莎拉的脚步,她朝向森林深处走去。  在这一过程中,恐怖诡异的经历交替袭来……

逃离地下天堂

麦克尔·约克,理查德·乔丹,珍妮·艾加特,罗斯科·李·布朗尼,费拉·福赛特,小迈克尔·安德森,彼得·乌斯蒂诺夫,Randolph Roberts,Lara Lindsay,Gary Morgan,劳拉·海佩

 西元2274年人类居住在由电脑控制的城市中,在这个城市中无优无虑,可自由毫无拘束的追求享乐;但到30岁时每一个人必须接受考验,一个探究永恒、重生的试炼……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

桑格豪森的渴望

克拉拉·施温宁,马瑞尔·凯沙瓦茨,亨丽埃特·肯夫里乌斯,若阿内斯·贝尔茨,安德里亚斯·比特尔,安德烈亚斯·德勒,梅拉·芬克,帕特里克·弗兰扎克,苏珊·弗洛莫,杰里米·加利亚纳,安东·戈诺波尔斯基,莱昂尼·哈莫,迈克尔·哈斯通,玛琳·豪瑟,弗兰基斯卡·海纳尔,霍斯特·海尼,克里斯托弗·卡尼,阿里桑德拉·纳普,布索里·列,李景泽

一位心碎的东德女服务员和一位手臂受伤的伊朗YouTuber在山中的鬼魂搜寻之旅中寻找孤独的慰藉。这是一场关于不太可能的友谊以及对另一种生活的渴望的浪漫冒险。