溜溜性感女孩警察
纱季是一个美丽的高中女生，因母亲吸毒卖淫入狱，为营救其母作为交换条件，私下与日本政府警厅作一个特殊合作，是扮演学生卧底警察，穿白色有警徽的透明内裤，手持溜溜球神秘武器，暗中调查学生卖淫集团，并当诱饵，以拘捕变态的强奸男子。纱季的同学沙纪爱上了一个男孩，却被虐待强迫加入卖淫集团，不从後被杀害。纱季好友同学「妓女飞鸟」也离奇被杀害， 於是纱季决定进入淫窟，卖淫集团是由校长和老师所操控，纱季发誓要查出行凶坏蛋，彻底摧毁卖淫集团。纱季的武器是溜溜球，她的战斗口号是“我永远不会原谅你艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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殡葬师
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照亮黑暗
Aamani,Esha Chawla,占西,Vishwadev RachakondaFollows the relentless journey of a determined young woman as she unravels the disturbing truth behind a serial rapist.
教皇行动
卡罗利娜·格鲁什卡,博古斯瓦夫·林达,伊雷纽什·乔普
金箍上的裂痕
【内容由AI生成】画手林默在AI霸权时代陷入创作焦虑 。西游世界中，真大圣凭借金箍裂痕觉醒 ，单枪匹马击碎黑六耳幻化的巨型机械妖猴 。随着妖猴崩解，被囚禁的数据化作千万个神采各异的大圣众生相。现实中，林默拒绝AI优化并关上电脑，回归初心。他在爷爷墓前及街头孩童挥舞廉价金箍棒的欢笑中领悟到，AI虽能模拟形态，却无法替代人在不完美中坚守本心的“选择”。
驱魔
劳拉·琳妮,汤姆·威尔金森,詹妮弗·卡朋特,坎贝尔·斯科特律师艾琳（劳拉·琳妮 Laura Linney 饰）接到一桩官司。一名神父由于用宗教手段——驱魔仪式来治疗女孩艾米莉的重病，因而使得艾米莉耽误了正确的药物治疗时间。法庭上，一场宗教与科学之争展开了。 事件的开端，源于19岁女大学生艾米莉（珍妮弗·卡彭特Jennifer Carpenter饰）的恐怖遭遇。她在大学宿舍睡觉时，感觉有灵异恶魔来侵，接下来更为惊悚的事情陆续发生。艾米莉一反常态，她变得双眼发黑，行为怪异，整日活在犹豫恶魔缠身的梦魇中，艾米莉无法控制自己的意志，痛苦得生不如死。家人为她找来精神病医生，却毫无起色。无奈下，请来神父（汤姆·威尔金森 Tom Wilkinson 饰）一探究竟，才得知艾米莉被远古六恶魔上了身。万魔缠身的她，只有通过宗教仪式进行驱魔，才有可能逃出生天。 神父的驱魔并没有挽救艾米莉，还引来了控告。无神论者却认为，恶魔缠身是无稽之谈。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster