丈夫的上司借种
遥通过办公室婚姻结艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。即将升职的丈夫，已经买了房子的两人，现在只要有了孩子就幸福了。然而，无论她如何努力，都无法生育，最终她被告知丈夫患有无精症。震惊之余，她向自己信任的经理坦白了自己的担忧，经理告诉她，如果她有足够的精力，就可以生孩子
在线看
同款热播
另一个地球
威廉·麦鲍瑟,布里特·马灵,马修-李·埃尔巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,鲁伯特·雷德在一个平静的夜晚，一辆飞驰而来的汽车，撞碎了音乐教授约翰（威廉·麦鲍瑟 William Mapother 饰）的幸福生活，他的妻女以及美好的人生都被尚未成年的少女罗娜（布里特·马灵 Brit Marling 饰）夺去。这起事故，也让罗娜的心灵蒙受巨大打击。罪恶感让她过着最底层的生活，却始终逃脱不掉灵魂的谴责。偶然机会，她重逢约翰，并以清洁人员的名义走进约翰潦倒无望的生活。在一段时间相处过后，他们渐渐温暖了彼此漫布创痕的心。与此同时，人类发现了一颗与地球极为相似的行星，而那里似乎也住着人类另一个自己。这是希望，还是美好的梦想？ 本片荣获2011年圣丹斯电影节评委会特别奖。
童使
泷泽秀明,有冈大贵,门胁麦本作导演为清水崇，共演演员为有冈大贵和门脇麦。takki饰演能操纵孩子灵魂并对施虐大人下死亡诅咒的神秘男子。大贵饰演追寻真相的记者，门脇麦则饰演他的女朋友。该片定于6月17号日本上映。
疯狂的八人帮
迪娜·迈耶,乔治·纽伯恩,奇希·劳尔兹,Dan DeLuca,弗兰克·威利因童年的玩伴去世，贝丝·潘特森（Gabrielle Anwar 饰）、布莱特·塞克斯（富兰克·威利 Frank Whaley 饰）、珍妮弗·琼斯（迪娜·梅尔 Dina Meyer 饰）、莱尔·戴伊（George Newbern 饰）、金娜·康特（翠希·罗兹 Traci Lords 饰）和韦恩·默瑞森（Dan DeLuca 饰）等6名好友重新聚首。他们曾在一所阴森的孤儿院内长大，并共同拥有着难以忘怀的恐怖回忆。他们在故友的书房内发现留给他们的遗书和地图，按照上面的指示众人来至一处偏僻所在，却在地图标注的地点找到一具高度腐烂的儿童尸体。 惶恐的众人驱车逃离，然而迷失了来路，最终找到一幢废弃空荡的白色别墅落脚。至此，童年的秘密慢慢揭开，死神的脚步声也越来越近……
奥利维娅与云
Olga Valdez,Héctor Aníbal,Elsa Núñez,Dominique Goris,Fery CorderoOlivia and The Clouds explores love's complexities through a Rashomon effect. Olivia, haunted by a past love, hides it under her bed. She trades flowers with this ghost in exchange for comforting rain clouds.
吐司机大危机
拉吉·库玛,桑亚·玛荷塔,阿布舍克·班纳吉,法拉·可汗,阿查娜·普兰·辛格,西玛·帕瓦,厄潘德拉·莉玛依,吉滕德拉·定司,Karamveer Choudhary,Dev Raaz一对情侣取消婚礼后，这个吝啬的男子试图要回他赠送的吐司机，却无意中卷入谋杀案。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.